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July 29 - August 22, 2014

The Human-Altered Landscape

Prints of most of these images are available for purchase. Please inquire.
All photographs are the copyright of the individual artists and may not be reproduced without their permission.

Peter Bowdidge - Manjimup, Australia Bloody Footprint
Brashear_Frederick_3Un-desert Oasis
Frederick Brashear - Hesperia, CA Un-Desert Oasis
Terri Bright - Greenville, SC Untitled (Florida)
Busquets_Dante_4 Colonia Cuauhtemoc
Dante Busquets - Berlin, Germany Colonia Cuauthtem. BCS, Mexico 2012
Kai Caemmerer - Chicago, IL Untitled No.57, 2014
Patty Carroll - Chicago, IL Hedge, Miami, FL
from the series "When the Landscape is Quiet Again:  North Dakota's Oil Boom"
Sarah Christianson - San Francisco, CA Well site carved out of bluffs near the Badlands, August 2013. From the series "When the Landscape is Quiet Again: North Dakota's Oil Boom"
Jan Cieslikiewicz - New York, NY Untiitled
Dale DeGabriele - Seattle, WA Paperscape 0430
Ellerbe_Jenny_1Watson Brake Mound
Jenny Ellerbe - Monroe, LA Watson Brake Mound
AnnieLaurie Erickson - New Orleans, LA
29°59'23.95"N, 90°25'19.16"W (Norco)
Ganis_John_3_Pool and Removed House Ocean Av Mantoloking NJ 2014
John Ganis - Pleasant Ridge, MI Pool and Removed House One and a Half Years after Hurricane Sandy, Ocean Ave Mantoloking NJ 2014
Steve Genatossio - Somersworth, NH Lamps
Gilbert_Beth_3Trench Entrance
Beth Gilbert - Rochester, NY Trench Entrance, Ramat Rachel, Isreal
Garrett Hansen - Lexington, KY Centralia - Slag Heap
Palm Jumeirah, Dubai, U.A.E.
Alexander Heilner - Baltimore, MD Palm Jumeirah, Dubai, U.A.E.
David Howe - New York, NY Untitled, from the series Product Placement
Lauren Howe - Rochester, NY
Ground: Sodus, NY 5
Kawamura_Yoichi NE1
Yoichi Kawamura - Claremont, CA NE1
Landrey_Lonnie_6 66 Acre Landfill, Dorchester, MA.
Lonnie Landrey - Hyde Park, MA 66 Acre Landfill, Dorchester, MA #6
Lerman_Ben_2wash away beach, cape shoalwater wa
Ben Lerman - Seattle, WA wash away the beach, cape shoalwater wa
Jennifer Little - Oakland, CA LADWP Irrigation Ditch, Owens Lake, CA
Lust_Dianna_1 Pivot Irrigation
Dianna Lust - Perrysburg, OH Pivot Irrigation, Garden City, Kansas
Robbie McClaran - Portland, OR Near DeWitt, Arkansas - "From Here On" Project
"Indifferent West," American Flyer
Daniel Mirer - Brooklyn, NY American Flyer Utah
Kevin Mitchell - Moneta, VA
Mark Peterman - Phoenix, AZ Sleeping Bear Dunes
Heather Quercio - Queens, NY Facade #10
Don Ross - Brandon, VT
Marr and Gordan Quarry - Panorama
Jeff Seltzer - Sherman Oaks, CA
Drive Thru
Mark Slankard - Rocky River, OH
Man With Shovel, Istanbul
Alison A. Smith - Carbondale, IL Fire, Laveen AZ
Malina Stanczak - Alexandria, VA Untitled
Jamey Stillings - Santa Fe, NM
27 October 2012, #8796
Karen Strom - Sonoita, AZ Cappadocia Town
Vicky Stromee - Tucson, AZ Last Stop
Eric Tomberlin - Weaverville, NC Garden of Earthly Delights
Hayley Trone - Santa Fe, NM Life Insurance
Ira Wagner - Montclair, NJ Raising One House at a Time
Agata Wiśniowska - Brighton, MA Strata
Armstrong_Frank_1Nolan Texas 2011
Frank Armstrong - West Boylston, MA Nolan, Texas 2011
James Bourret - Ketchum, ID Untitled (Edge Condition #1)
Nik Clements - Bethlehem, NH Tubes (From the Project Byoki)
Jennifer Colten - St. Louis, MO Encounter # 21.63102.20130529.0006
Robin Dana - St. Petersburg, FL Unitled, from the Kaolin series,4x5" reversal film, 2010
Nick Dinatale - Westford, MA Seabrook, NH
Jen Drociak - Manchester, NH Landfill and Methane Exhaust Pipes, Manchester, NH, 2011
Lisa Flanary - Knoxville, TN Bird Holes Limestone Mine, New Market, Tennessee
Terri Garland - Soquel, CA Mossville, LA
Vincent Glielmi - Carol Stream, IL WIsconsin, 2012
Drew Harty - Treadwell, NY Taco Bell and Storm, Winnemucca, NV
Stewart Harvey - Portland, OR River Front Park
Isztin_Pedro_1Jokkmokk I Sweden 2009
Pedro Istzin - Ottawa, Ont Jokkmokk I, Sweden 2009
Jones_Ashley_4 409WTaylorStreet
Ashley Jones - Savannah, GA 409 W.Taylor Street
Daniel Kariko - Greenville, NC Speculation World: Corner Properties I4 Corridor, Florida
Kessler_Jordan_House Built On Rock, Northborough,MA
Jordan Kessler - Arlinton, MA House Built on Rock, Northborough, MA
Meghan Kirkwood - Fargo, ND Former School - Iowa, C-Print, 2014
Thomas Ladd - North Easton, MA San Carlos, Ecuador
Chris Letcher - Seattle, Wa Power Lines
Michael Marcinek - Atlanta, GA from Boomtown; Pinedale, Wyoming #4
Vicky McKenna - Newton, MA Silica Mine
Anthony Milkus - Amsterdam, Netherlands Hedge
John Moyers - Bristol, VT under/over...san francisco bay picks up turbulance as it passes under the san mateo bridge, while saturday afternoon traffic passes smoothly over it.
Colleen Mullins - San Francisco, CA Untitled, 08-07
Camilo Ramirez - Jamaica Plain, MA Untitled: U.S. Gulf Coast, 2010 (from the series Turbid Collective)
All rights reserved Daniel Rice 2011
Daniel Rice - Tumwater, WA Peter Iredale
Niv Rozenberg - Astoria, NY Untitled 1
Keith Sandman - Utica, NY North American Coast
A 1335
Jim Schlessinger - Amherst, MA Brodgar Circle
Casey Sills - Evanston, IL Untitled # 174
Michael Stimola - Edgewater, NJ Iron Age Road, Morgantina, Sicily
Carrie Tomberlin - Weaverville, NC Ode To Babel, photogravure
Takashi Ueki - Carson, CA Untitled 2
Marilyn Waters - Claremont, CA Day At The Beach
David Wensel - Geneva, IL Courts and Chapel Saugatuck, MI (homage to RA)

Juror’s Statement

Humanity’s impact on the landscape is profound. As the images here demonstrate, for millennia now we have altered our own environments for numerous reasons (war, commerce, survival, politics, pleasure…) and that the results, in turn, alter the way we live, implicating our actions and practices in an endless circle of cause and effect. The visible influence of our presence in the world is almost unavoidable, which begs the question: what does an un-altered landscape look like? Are Ansel Adams’ sensuous and bombastic images of the American West really representations of an untouched wilderness or has everything already been touched? Perhaps our visible presence—from the time worn paths of past trade routes to the rusted remains of more recent civilizations—is only the tip of an otherwise invisible iceberg of environmental alteration. In the vast web of planetary interconnectedness, what ripples did the first human footsteps create? The works presented here trace more recent ripples, forming a visual narrative about the tenuous ebb and flow of human existence in the natural world.

I would like to congratulate all of the finalists and thank everyone who submitted their work.

- Russell Lord

About the Juror

Russell Lord is the Freeman Family Curator of Photographs at the New Orleans Museum of Art (NOMA). Lord previously held positions at the Metropolitan Museum of Art and the Yale University Art Gallery, and has written widely on the history of photography. His recent publications include: Gordon Parks: The Making of an Argument, and an essay on "Edward Burtynsky: Water". He is also currently working on a book about the permanent collection at NOMA to complement the exhibition Photography at NOMA: Selections from the Permanent Collection (at NOMA through January 19, 2014). Lord has lectured at many museums and universities including the Museum für Fotografie, Berlin, The National Gallery, Washington D.C., Yale University, Tulane University, and the Ryerson Image Center, Toronto. His past exhibitions include: Photography, Sequence, and Time; Reinventing Nature: Art from the School of Fontainebleau; and What is a Photograph? Much of his research focuses on the relationships between photography and other visual media. 

Call for Entries

In 1975, the landmark exhibition "New Topographics: Photographs of a Man-Altered Landscape" debuted at the International Museum of Photography at George Eastman House in Rochester, NY. Included were such important photographers as Robert Adams, Frank Gohlke, and Stephen Shore, with work that challenged the primacy of wilderness landscape popularized by Ansel Adams and the Sierra Club. Typical of the photographs were images of human presence in the landscape, ranging from houses in subdivisions in Denver by Robert Adams to a water tower under construction by Gohlke. The PhotoPlace exhibition THE HUMAN-ALTERED LANDSCAPE updates the spirit of "New Topographics" with photographs that envision the interactions between humans and the natural world.