Call for Entries
Water: A source of beauty and wonder. The environment for a staggering variety of life. Ever various in its forms: fog, mist, spray, ice, oceans and rivers, lakes and streams, rain, sleet, and snow. We are born from it.
Today it’s an element in desperately short supply in some places, while in others, damaging and unpredictable. A harbinger, perhaps, of what’s to come.
For this exhibit we seek photographs that capture the way you experience water: beautiful, wondrous, fearsome, or all of these.
We are very pleased that Laura Moya will be jurying and curating this exhibition. She will select approximately 35 images for exhibition in the gallery, and 40 for our Online Gallery. All 75 selected images will be reproduced in the exhibition print catalog and remain permanently on our website, with links to photographer’s URL.
Submission: $39 for the first 5 images, $6 each additional
How to submit your images
Information about our printing service and free matting and framing here.
Click to enlarge.
About the Juror
Laura Moya is the former Director of Photolucida, organizing their Portfolio Reviews events and overseeing Critical Mass programming for many years. Laura co-curated an independent project, The Early Works Project, which was shown at Newspace Center for Photography, Rayko Photo Center, the Center for Fine Art Photography, and the Photographic Resource Center, as well as The Elevated Selfie: Beyond the Bathroom Mirror, which exhibited at LightBox Photographic Gallery and the Griffin Museum of Photography. She has participated in Reviews events including the National Society for Photographic Education and LensCulture in Paris, and participated in talks and panels at international festivals such as the Pinyao International Photo Festival and GuatePhoto Festival. Most recently she curated and designed the exhibition spaces for these major museum exhibitions: HUMAN/NATURE (Lishui Art Museum/2021 Lishui Photography Festival, China) and PERSEPHONE’S EDGE (Benaki Museum/2022 Athens Photo Festival, Greece).